Category: Story Index

COLUMN: Matt Forger. Michael C. Ross. Eddie Kramer. Elliot Scheiner. Joe Chiccarelli. Each one is a huge star in the world of recording. Scott G points out that you probably own albums with their names listed in the credits as engineer, producer, or mixer. Studio Expresso is what they all have in common.

COLUMN: Ever notice that some music artists suck? Sure you have. Ever thought it would be helpful to label these artists so we could avoid wasting time with them? Of course you have. In an interview with Brian Forest, Scott G explains how these worthless performers should all be lumped into a new genre of music that he calls “nada.”

COLUMN: With the “A&R Registry,” “Music Publisher Registry,” “Music Business Attorney Registry,” “Producer Registry,” and the “Film and Television Music Guide,” Ritch Esra and Stephen Trumbull provide vital connections in a rapidly-changing business. Scott G likes ’em and uses ’em.

Just when you think it’s safe to go shopping on eBay for used gear, like a vintage tube mic, or analog keyboard, the phishing artists have to ruin my day. Phishing, is the practice of trying to fool you into going to a website pretending to be a legitimate site, like a bank or eBay, or to contact somebody about a product or service through real looking email communications.

A Special Report by Scott G (The G-Man): Where music meets licensing, there’s money to be made. How much money? “I have synched quite a few thousand songs into productions over the years,” states Peter Jansson of CRC Jianian Co., “and have charged anywhere between US$1.00 and US$250,000 for each one.”

GEAR REVIEW: Gleaming, smooth, player-friendly and finely-crafted guitars are a labor of love for Pat Wilkins, but that’s not how he makes his living. Instead, he’s the master of something that is on every guitar: the finish.

COLUMN: From songwriting to band politics, from rehearsals to touring, and from recording to making money, the Michael W. Dean book $30 MUSIC SCHOOL is superb, succinct and often subversively funny. Scott G thinks it’s worth about a hundred times what you pay for it.

Making money from music online: NARIP and the Hype Council help the advertising, marketing, and recording industries face the facts and expose the fiction – a report by The G-Man.

COLUMN: Jay Flanzbaum wants to change the way every indie band handles touring, promotion, booking, and the management of their careers. His creation is called OnlineGigs and it has the potential to shift the balance in favor of artists who want to do things for themselves.

COLUMN: Audio mastering is widely misunderstood, often mangled, and sometimes mistaken for mixing. It’s the audio step that comes just before manufacturing a CD, and some people would even say it’s a crucial step.

COLUMN: WireonFire is not exactly a record label, but to Earth, Wind & Fire and more than a dozen other artists, it’s not only the next-best-thing, it may be even better. Why? Because WireonFire provides almost all of the same services as a record company, but without the 70-page contracts and the penny-rate royalties.

COLUMN: Sat Bisla, Jeff Blue, Ritch Esra and Perry Watts-Russell have worked with and/or signed artists such as Radiohead, Meredith Brooks, Secret Machines, The Thompson Twins, Linkin Park, Macy Gray, Korn, Dido, Damien Rice and The Chemical Brothers, and they have a lot to say about the current state of the record industry and the […]